Handwritten musical score on all sides of a double sheet notepaper. Copy of a composition by George Poniridy for voice and piano, based on the poem "Come Back" by Cavafy. The verses the poem written above the notes.

Handwritten drafts of the poem "Company of Four" on both sides of a sheet; on one side of a cut printed broadsheet with fragment of a poem and the indication "Alexandria 1926" (arithmetic operation on the other side); on both sides of a piece of paper, torn on one edge; on the verso of a shares form of the National Bank of Egypt dated "21 March 1930" and Cavafy's signature in English. Handmade folder from the card of the Alexandrini Vivliothiki for an event dated "30/9/1930". The handwritten title of the poem and the note "Prov[isional] ti[tle]" on the verso of the card.

Handwritten text on a homemade notepad, sewn on the spine. Travel diary and notes. The title handwritten on the cover. Mentions of non-Greek publications and bibliographical references to 1880 and 1807 editions. Some pages are blank. One page in Greek. Note on metrics below (Homeric?) verses in English. Copy of a poem by D. Solomos and its translation into English. The poet departs, together with his mother and two of his siblings, on a steamboat to Istanbul on the aftermath of the Urabi Revolt, for which young Cavafy provides a short analysis. Extensive reference to the members of the Fotiadis family. The narration covers the period 23/6-8/7/[1882].

Handwritten draft of an untitled poem on the verso of a letter by John Cavafy to C. P. Cavafy. Brief note in ink below the draft. The letter is dated 1/4/1908 and is written on a letterhead of R. J. Moss & Co., Cairo. John informs C. P. Cavafy that he is returning him the letters of their brother, Paul.

Handwritten prose text ("In Broad Daylight") on three double sheet notepapers. Pages 5-6 and 8-12 are numbered. Few cancellations and emendations in various parts. The three double sheet papers are enclosed in another one, with the handwritten title on the first page. The title has been underlined and there is a line in red ink at the end of the text.

Handwritten musical score on all sides of a double sheet notepaper. Copy of a composition by George Poniridy for voice and piano, based on the poem "In Stock" by Cavafy. The verses of the poem written above the notes.

Handwritten letter by H. Romilly Fedden to Alekos Singopoulo on both sides of a letterhead with his address in Cairo in print. The sender asks for permission to include the poem "The God Abandons Antony" in a publication he is preparing.

Handwritten letter by Jean Athanassopoulos to Cavafy on both sides of a ruled sheet, in which it is noted that the poet's work remains largely unknown to the wider public. (Cairo)

Handwritten letter by John Cavafy to his brother, C. P. Cavafy, on both sides of a letterhead of R. J. Moss & Co. He refers to, obviously English, translations of poems by his brother. He asks to be sent the journal Panathinaia, in which the poem "Trojans" is published. Interpolated words and phrases in English. (Cairo)

Handwritten letter by Paul Vanderborght to Cavafy on two sheets. The verso of the second sheet is blank. The second and third pages are numbered. The author refers to the enthusiastic reception of a forthcoming literary event in honour of the poet in Cairo, with music and poetry reading. He informs him in detail about the schedule and asks for his approval and assistance. (Cairo)

Handwritten notes on ruled sheets and a double sheet notepaper as well as on pieces of paper of various sizes, some numbered and some with date indications. Among them: notes on the verso of letterheads with typewritten official correspondence in English. Notes in English and in French. Notes on the words "perfect" and "parfait", and their correct translation in Greek, as appropriate. Notes on the Seleucids. Bibliographical references. Extensive use of abbreviations.

Handwritten notes on both sides of two ruled sheets and on the verso of part of a printed medium with a fragment of the poem "Alexandrian Kings". Cancellations and emendation, some in ink. Pages 2-4 are numbered. Comments by Cavafy on the literary production of the Greeks in Egypt.

Handwritten notes by Rica Singopoulo on seven sheets and three double sheet notepapers. The notes pertain to Cavafy's life and to the members of his family (mainly his mother and brothers). Some of the information recorded derives from the family correspondence as well as from the remnants of the poet's belongings.

Handwritten prose text by Cavafy on 14 sheets and 9 double sheet notepapers. Pages 4-38 are numbered. The upper half of page 30 is typewritten. The text narrates the history of the Cavafy family from the 18th century (1728) and Peter Cavafy to the time and family of the poet, citing all known information on every person, providing more details and placing greater emphasis on the members of his own family as well as on members of other (often related) families linked to it. Cancellations; abbreviations. Interpolated words in Greek. The date indication ("1903") is provided by the author of the text (page 19).

Manuscript of the poem "The Seleucid's Displeasure" in the first page of a ruled double sheet notepaper. Cancellations and emendations. crossed out notes at top and bottom of the page. Number "345" in brackets at bottom right. Pages 2 and 3 are blank. Notes on the fourth page, some of which crossed out. Notes on five pieces of paper of various sizes and on a ruled sheet. One of the papers bears fragment of a typewritten official letter on one side.

Handwritten musical score on the three pages of a double sheet notepaper. Copy of a composition by George Poniridy for voice and piano, based on the poem "To Pleasure" by Cavafy. The verses of the poem written above the notes.