Identity area
Reference code
Title
Date(s)
- n.d. (Creation)
Level of description
Extent and medium
34 x 21.5 cm
Context area
Name of creator
Biographical history
Repository
Archival history
Immediate source of acquisition or transfer
Content and structure area
Scope and content
Manuscript of a poem and attached handwritten note. On one side of a sheet, the poem "In the House of the Soul" and note in the margin. Cancellations and emendations. The handwritten note "Not for publication, but may remain here" on a separate piece of paper attached to the sheet.
Appraisal, destruction and scheduling
Accruals
System of arrangement
Conditions of access and use area
Conditions governing access
Conditions governing reproduction
Language of material
Script of material
Language and script notes
Mainly Greek
Physical characteristics and technical requirements
Sheet of notepaper and plain small-size paper. Black and red ink; pencil. Watermark: Gouvernement Egyptien. Physical item wear: oxidations; tears at the bottom of the sheet.
Finding aids
Allied materials area
Existence and location of originals
Existence and location of copies
Related units of description
Publication note
"In the House of the Soul" >Α423
Notes area
Note
Cavafy, C. P.. “In the House of the Soul”. Poem (manuscript), n.d.. GR-OF CA CA-SF01-S01-F01-SF001-0087 (89), Onassis Foundation C. P. Cavafy Fonds. From The Digital Collection of the Cavafy Archive, edited by Onassis Foundation, Athens, last modified 01.10.2025. https://doi.org/10.26256/CA-SF01-S01-F01-SF001-0087.
Alternative identifier(s)
Παλαιά ένδειξη ταξινόμησης
Access points
Subject access points
Place access points
Name access points
- Cavafy, C. P. (Authority)
- Rodenbach, Georges Raymond Constantin (Subject)
Genre access points
Description control area
Description identifier
Institution identifier
Rules and/or conventions used
Status
Level of detail
Dates of creation revision deletion
Language(s)
Script(s)
Sources
Archivist's note
Archivist's note
The poem is accompanied by a motto from verses by Georges Rodenbach.