Pamphlet of the Maison Unique Mme Aline, a brothel in Marseille.
UnknownHandwritten poem ("Byzantine philosoper in 396 A.D. to his students") on the recto of a ruled sheet. Blank verso. The poet's name below the text. The handwriting of both the poem and the signature is not Cavafy's, although there appears to be an effort to imitate it. The poem is not part of Cavafy's work.
UnknownHandwritten musical score on all sides of a double sheet notepaper. Copy of a composition by George Poniridy for voice and piano, based on the poem "Come Back" by Cavafy. The verses the poem written above the notes.
UnknownPart of a corporate correspondence envelope, addressed to Cavafy through R. J. Moss & Co.
UnknownPrinted announcement of the death of Sévastie Verhaeghe de Naeyer, sister of the poet's mother, on the first page of a double-sheet. It had been sent to his mother, Charikleia Cavafy.
UnknownTypewritten note that includes a quote in French from Plato's Statesman. The quote serves as an epigram for the poem "Betrayal" ("Déloyauté"). (The same quote, in the original, written by Cavafy and destined for the same poem, is correctly referred to as a quote from Plato's Republic).
UnknownTypewritten French translations of the poems "Since Nine-" and "That They Come-" on three sheets. One of the sheets has writing on the verso as well. One of the two poems is in two copies.
UnknownHandwritten copy of the poem by M. Malakasis "Elegeio ston poiiti Rupert Brooke" on one side of a sheet. Blank verso.
UnknownTwo small-size envelopes with the recipient's details ("Constantine Cavafy" and "Const. Cavafy"), and part of a piece of paper with the name of Stephen Schilizzi, written by Cavafy. Mail rubber stamps and on one of them, and the date "27 Mars 1883".
UnknownPhotograph of D. Stefanopoulos with members of his family and Alekos Singopoulo (last on the right). Handwritten dedication to Cavafy on the verso, which is in the form of a postcard.
UnknownHandwritten musical score on all sides of a double sheet notepaper. Copy of a composition by George Poniridy for voice and piano, based on the poem "In Stock" by Cavafy. The verses of the poem written above the notes.
UnknownPrinted invitation to Cavafy for the wedding of Gertrude May Barker and Stanley Innes Gordon at the temple of St. Mark of Alexandria. Cavafy's name is handwritten. The text in the first page of a double-sheet. The remaining pages are blank.
UnknownFour-page letterhead with the embossed printed logo of the Egyptian government on the first page.
UnknownHandwritten list of the addresses of publishers and bookstores in Athens, not in Cavafy's handwritiing, on one side of a sheet. Blank verso.
UnknownTypewritten list of books on the recto of twelve sheets, in two copies. Sheets 2 to 12 are numbered at top left. Blank versos. Notes on the titles of one of the copies. All editions are in English. Dictionaries, historical and literary books as well as editions of Greek and Roman authors.
UnknownSix printed menu cards. The dishes are handwritten. The signatures of the poet ("C. F. Cavafy") and of friends of his on the versos of all cards.
UnknownUntitled manuscript poem in English ([More happy thou...]), written on the recto of two pieces of paper with numbering at the top, "Νο 1" and "Νο 2" respectively. The handwriting is not Cavafy's. At the bottom of the recto of the second paper, the signature "C. P. Cavafy" is not written by the poet. Blank versos.
UnknownHandwritten list of names of authors and intellectuals on both sides of a small piece of paper, not by the poet (it is probably written by Giannis Saregiannis).
UnknownHandwritten note to Cavafy on paperboard of the Banque d'Orient Alexandrie. He is asked for a collection of his poems to be sent to a third person (Giagkos Chelmis). The note is signed "Vasos".
UnknownSmall pamphlet (pocketsize), 23 pages, enitemd “Utile dulci, petit mémento de poche”. It contains advertisements, a guide to libraries and museums (Paris), a horse racing calendar etc.
UnknownPhoto album made of leather with details of metallic flowers. The photo frames are empty.
UnknownPhoto album made of leather with details of metallic flowers and metallic lock. The photo frames are empty.
UnknownSmall-size photo album from Versailles and Trianon. It includes illustrations of the palaces and royal gardens.
UnknownPhotograph of Cavafy's death mask. Blank verso. Accompanied by envelope bearing a line in Arabic on the recto.
UnknownPhotograph of a portrait of Cavafy made by Charikleia Alexandridou (Stefanopoulou). The original work is dated to 1928. The photograph also depicts a handwritten dedication by Cavafy to Papoutsakis, in the portrait frame. Handwritten notes on the verso.
UnknownPhotograph of a portrait of Cavafy, made by Charikleia Alexandridou (Stefanopoulou) and published in an issue of the journal Alexandrini Techni in 1929. The original work is dated to 1928.
UnknownPart of a photograph of a painting made by Sofo (Sofoklis Antoniadis), depicting Cavafy sitting in a desk with a lamp, writing. Part of the photograph has been cut off. The verso is in the form of a postcard.
UnknownUndated photographic portrait of a man in a fez and with a cane in his left hand.
UnknownPhotograph portrait of a standing man in a military uniform and colonial hat. He is wearing boots and gloves. The lower part of the recto, where the photographer's logo would normally be, has been cut off. Blank verso.
UnknownPhotographic portrait of a young man with a moustache, wearing a suit. In the lower part of the recto, the printed indication "Cabinet-Portrait".
UnknownLater enlarged copy of a photograph of Alekos Singopoulo in his youth. He is depicted in profile, smiling, looking to the left. The name of the creator of the original photograph is discernible ("S[hlomo]. Narinsky").
UnknownPhotograph of a woman standing in front of a piece of furniture.
UnknownPortrait photo of a woman with a hat. Most likely it is of Kiveli Singopoulo.
UnknownReproduction of an etching by the engraver Jean Kefalinos, depicting Cavafy in 1921. Accompanied by a large-size photograph of the work. Handwritten notes on the verso of both.
UnknownThree subsequent copies of a photographic portrait of Aristeidis Cavafy. He is depicted in frontal view, with moustache and beard, in a suit and white necktie. All three copies are torn in half; two of them are reattached using sellotape.
UnknownPhotograph depicting Cavafy arriving, among other guests, at the wedding of Konstantinos M. Salvagos (which took place on 27/2/1927 at the church of the Annunciation, in Alexandria). On the verso, a rubber stamp of the photographic newspaper Elliniki of A. S. Milionis.
UnknownPhotograph of four men on the stairs of a building. They are all wearing suits. The first from the left is wearing boots and a fez and is holding a cane in his left hand; the second is wearing a fez and holding an umbrella in his left hand; the third is wearing a European-type hat and the fourth is wearing a cap.
UnknownModern reprint of a photograph of Paul Cavafy. Enlargement of the original with the depicted person's head.
UnknownPhotograph of Alekos Singopoulo at middle age.
UnknownPhotograph of three boys in costumes. The boy in the middle stands on a piece of furniture and holds a hat in his right hand. This is the later printing of an original photograph not located in the archive. A handwritten note on the verso states that the original picture was by Giuseppe Marzocchini & Figlio of Livorno; it dates the original to 1865 and identifies the figures from the left as follows: Peter (John), Aristeidis and George Cavafy.
UnknownTwo photographs from John Cavafy's trip to Istanbul (most likely in 1902), at the Zalichi family house. The first depicts, from the left: Dimitrios Zalichi, Smaragda Zalichi, John Cavafy and Marika Zalichi. In the second, John Cavafy and Dimitrios Zalichi are sitting in a porch (probably of the Zalichi residence).
UnknownClipping of a printout of the poem "The Poet and the Muse", signed "Constantine F. Cavafy" with a lithographic embellishment and image. Two pieces of paper with fragments of handwritten texts affixed on the verso of the clipping.
UnknownClipping from a printed medium with the poem "I mana tou nafti", written by the student of the Averoff Secondary School and subsequently poet, Konstantinos N. Konstantinidis.
UnknownTwo press clippings on Samuel Baud-Bovy and one with the publication of a letter by Baud-Bovy to Petros Charis and of a letter by Cavafy to D. P. Petrokokkinos. Photograph of the original letter by Cavafy. All the previous have been placed inside a handmade folder with the handwritten note "Petrokokkinos" by a hand other than Cavafy's.
UnknownPrinted (lithograph) encyclical [apantachousa] by the Patriarch of Alexandria Nikanor (1866-1869) to the faithful and the clergy. The letter pertains to a dispute between the Patriarchate of Constantinople and the Patriarchate of Alexandria (the former is accused of interfering in the internal affairs of the latter).
UnknownFragment of a handwritten text on lycanthropy and the also handwritten unfinished text "Woman and the Ancients" (on men's views on women in ancient times, with references to Euripides and Solomon), written in English on both sides of two sheets. Footnotes and bibliographical references. The texts seem to not have been written by Cavafy.
UnknownEleven copies of a portrait of Cavafy by Konstantinos Maleas. The poet is depicted in profile, smiling, looking to the left. Three copies on paperboard; eight copies, particularly faded, on very thin paper. The copies on paper are negative prints.
UnknownTwo copies (perhaps lithographs) of a portrait of Cavafy by Charikleia Alexandridou Stefanopoulou. Third reproduction of the portrait in slightly smaller size and in the form of a postcard. Βlank versos.
UnknownEnvelope of the General Consulate of Greece ("Consulat Général de Grèce") in Alexandria, addressed to C. P. Cavafy. Printed recipient details in French and handwritten details. It contains two separate documents: The certificate of the Silver Medal of the Order of the Phoenix that was awarded to the poet by the Presidency of the Hellenic Republic, dated 12/7/1926. It is printed on two sheets of thick paper; printed and handwritten details on the recto of the first sheet. Typewritten accompanying letter by the Consul General of Greece in Alexandria, Marinos Sigouros, on the award of the certificate to C. P. Cavafy, dated 8/9/1926.
UnknownPainting drawing in charcoal. It depicts Cavafy in three-quarter view, wearing glasses, looking slightly to the right. Blank verso. The sketch is placed inside a handmade folder of particularly thin paper, on which the poet has marked the date.
UnknownSketch by an unknown person on one side of a sheet. Blank verso. It depicts Cavafy in profile view, wearing glasses and looking to the right.
UnknownSketch in pencil on one side of a piece of paper. Blank verso. It depicts a bust of Cavafy in three-quarter view, looking to the left.
UnknownSketch by an unknown person on one side of a sheet. Blank verso. It depicts Cavafy wearing glasses and looking to the left.
UnknownSketch on one side of a paperboard. Blank verso. It depicts a bust of Cavafy in profile view, looking to the left.
UnknownSketch by an unknown person, in sky blue pencil on one side of a sheet. Blank verso. It depicts Cavafy in profile view, wearing glasses and looking to the right.
UnknownSketch by an unknown person on one side of a sheet. Blank verso. It depicts Cavafy seated, in frontal view, wearing glasses, in a suit and necktie.
UnknownSketch in pencil on one side of a piece of paper. Blank verso. It depicts a bust of Cavafy in profile view, looking to the left.
UnknownSketch in pencil on one side of a piece of paper. Blank verso. It depicts a bust of Cavafy in three-quarter view, looking slightly to the left.
UnknownTwo sketches in pencil on one side of pieces of paper. They both depict Cavafy in profile view, looking to the left. They are placed inside a handmade folder marked "Raptarchis" and "1925", handwritten by Cavafy. One of the two sketches bears an illegible signature.
UnknownThree sketches on small-size pieces of paper, depicting a helmet, a cross and a bird. Also, clipping from an envelope with the printed motto "For Christ and the Land of the Romans" in Greek. All the above is placed inside a folder of ricepaper with a note by Cavafy referring to a certain part of his family tree.
UnknownHandwritten musical score on the three pages of a double sheet notepaper. Copy of a composition by George Poniridy for voice and piano, based on the poem "To Pleasure" by Cavafy. The verses of the poem written above the notes.
UnknownTypewritten French translations of poems by Cavafy on seven sheets. Some are found in more than one copies.
Unknown