View of the interior of Cavafy's flat. It depicts the poet's bedroom, with his bed, chairs, a desk and other furniture. Three copies. On the verso of one of them, the rubber stamp "Cavafy Archive phot. 10". Handwritten notes on the verso of the second copy.
Ververis, ApostolosPhotograph
46 Archival description results for Photograph
Photograph of the interior of Cavafy's flat. View of the living room, with a sofa, armchairs, a piece of furniture with candlesticks and a mirror. On the wall, a large photograph of the poet's mother, Charikleia Cavafy, from the first period of her wedding in England. Two copies. On the verso of one of them, the rubber stamp "Cavafy Archive phot. 11".
Ververis, ApostolosPhotograph of the interior of Cavafy's flat. View of the living room, with a console table and a mirror, a seat and frames on the wall. Three copies. On the verso of one of them, the rubber stamp "Cavafy Archive phot. 9".
Ververis, ApostolosPhotograph of the bed in the Greek Hospital of Alexandria, where Cavafy died. Some of his personal items can be seen, such as his notepad with the pencil, some books and his suitcase. Three copies. On the verso of one of them, the rubber stamp "Cavafy Archive phot. 7" and a handwritten description of the photograph. Handwritten note on the verso of another copy. All copies bear the embossed stamp of the photographer, Apostolos Ververis (Ververis Alexandrie).
Ververis, ApostolosView of the interior of Cavafy's flat. It depicts the living room, with chairs, a desk and a console table with a mirror. There are also several picture frames, both on the wall and on the table, with family photographs. Two copies. The verso of one bears a handwritten note.
Ververis, ApostolosView of the interior of Cavafy's flat on Lepsius street. It depicts a hallway with bookcases and seats, at the end of which is a window, a desk and a screen. It is accompanied by an enlarged copy, on the verso of which is a rubber stamp, that reads "Cavafy Archive phot. 12".
Ververis, ApostolosView of the interior of Cavafy's flat. It depicts the living room, with a sofa, armchairs and a desk. According to the handwritten note on the verso, this is the only copy of the photograph.
Ververis, ApostolosTwo copies of a photograph depicting a seated girl with an open book in her lap. The logo of the photographer on the verso and at the lower part of the recto.
Fettel & BernardPhotographic portrait of a young man in a suit, wearing a bow tie. The logo of the photo shop in the lower part of the recto as well as on the verso.
Sébah & KhachikPhotograph of a standing man in colonial apparel and a colonial hat. He is holding a cane in his right hand. The logo of the photo shop in the lower part of the recto as well as on the verso.
Lassave, G.Undated photograph of an unknown man in a moustache The photographer's logo in the lower part of the frame.
Reiser, [Andreas D.]Photograph of a man in a suit and sitting on a rock, from the photo shop of N. Fettel & Cie of Alexandria. The photo shop's name in the lower part of the recto. The full logo on the verso. At top right of the verso, faded illegible handwritten dedication in ink to J.C.C. (most likely John Cavafy) and the date; the name of the person depicted ("captain Th[eodore?] Osborne") and the name of the steamboat ("Mareotis").
N. Fettel & Cie (ancienne maison E. Béchard)Photographic portrait of a man in a moustache, beard and plaid necktie. The logo of the photo shop in the lower part of the recto as well as on the verso.
Fettel, Sébah & BernardPhotographic portrait of a man in a plaid jacket. The logo of the photo shop in the lower part of the recto as well as on the verso.
Arnò, D.Photographic portrait of a young man with a moustache and a beard. The logo of the photo shop in the lower part of the recto as well as on the verso.
Arnò, D.Photographic portrait of a young man with a moustache and a beard. The logo of the photographer in the lower part of the recto (part of which has been cut off) as well as on the verso.
Arnò, D.Photographic portrait of Alekos Singopoulo by photographer Aram Alban of Alexandria, affixed on paperboard. Handwritten signature of the photographer ("Alban & Co") on the paperboard. Handwritten note on the verso.
Alban & Co.Photograph of a woman in a dark dress next to a vase. On the verso, handwritten dedication to John Cavafy, signed "J B K"; place (Alexandria) and date indication, all in English. The logo of the photo shop in the lower part of the recto as well as on the verso.
L. Fiorillo & FilsPhotographic portrait of a young woman wearing a shirt, from the photo shop L. Fiorillo of Alexandria. The logo of the photo shop in the lower part of the recto as well as on the verso, along with printed technical details.
Fiorillo, L.Undated photograph of an unknown woman. The name and address of the photographer in the lower part of the recto. Blank verso.
Fiorillo, L.Photographic portrait of a woman in a white dress and her hair worn up. The logo of the photo shop in the lower part of the recto as well as on the verso.
Fettel, Sébah & BernardPhotographic portrait of a young woman. The logo of the photo shop in the lower part of the recto as well as on the verso.
Lassave, G.Portrait photograph of Alexandros Cavafy. Photographer Apkar Retian’s (Studio Apkar) seal on verso, Alexandros’s name noted with pencil.
Retian ApkarPortrait photo of Cavafy by Fette & Bernard studio in Alexandria. The logo of the photographic studio on the bottom right on recto.
Fettel & Bernard (Bernard Masson successeur)Undated photographic portrait of Cavafy by the photo shop of Fettel & Bernard in Alexandria, in two copies. The poet has a mustache, he wears a suit with a necktie and glasses. The logo of the photo workshop on the verso as well as handwritten dedication by Cavafy to his friend, Pericles Anastasiadis. The photograph should be dated circa 1896, due to the striking resemblance to another similar photograph, dated by Cavafy in that year.
Fettel & BernardUndated photographic portrait of Cavafy by the photo shop of Fettel & Bernard in Alexandria, in three copies. The poet has a mustache, he wears a suit with a necktie, and glasses. He is resting with both hands on a book placed on an ornate piece of furniture. Behind him, a seat. The logo of the photo workshop on the verso. The photograph could be dated circa 1896, due to the striking resemblance to another similar photograph, dated by Cavafy in that year.
Fettel & BernardPhotographic portrait of Cavafy at a mature age in his flat, pasted on paperboard and covered in rice paper with the logo of the photogapher ("Racine, studio suisse"). The photographer's signature on the paperboard. Rubber stamp that reads "Cavafy Archive phot. 5" on the verso. The photograph has been dated to 1930.
Racine (photographer)Undated photographic portrait of Cavafy by the photo shop of Fettel & Bernard in Alexandria, in three copies. The poet has short hair and mustache; he wears a suit with necktie, and glasses. The logo of the studio on the verso.
Fettel & BernardUndated photographic portrait of Cavafy by the photo shop of Fettel & Bernard in Alexandria, in seven copies. The poet has short hair and mustache; he wears a suit and glasses. The logo of the studio on the verso.
Fettel & BernardUndated photographic portrait of Cavafy by the photo shop of Fettel & Bernard in Alexandria, in six copies. The poet has a mustache, he wears a suit with a necktie, and glasses. The logo of the photo workshop on the verso. The photographs are placed inside a handmade folder of paperboard, on which the date indication "1901 or 1903" is written by the poet.
Fettel & BernardUndated photographic portrait of Cavafy by the photo shop of Fettel & Bernard in Alexandria. The poet has a mustache, he wears glasses, a three-piece suit and a necktie. The logo of the photo workshop on the verso.
Fettel & BernardPhotographic portrait of Cavafy at a mature age, in two copies pasted on paperboard and covered in rice paper with the logo of the photogapher ("Racine, studio suisse"). The photographer's signature on one of the photographs as well as on both paperboards. Handwritten notes on the verso of one of the copies.
Racine (photographer)Photographic portrait of Cavafy at a mature age in his flat, pasted on paperboard and covered in rice paper with the logo of the photogapher ("Racine, studio suisse"). The photographer's signature on the paperboard. Handwritten note with suggested date ("1926?") on the verso (it is noted, however, that in the bibliography the photograph is dated to circa 1930).
Racine (photographer)Undated photographic portrait of Cavafy by the photo shop of Fettel & Bernard in Alexandria, in two copies. The poet has short hair and mustache; he wears a suit and glasses. The logo of the studio on the verso.
Fettel & BernardCopy of a photograph of Cavafy in his apartment. He is depicted sitting in a sofa, in his parlour. The original photograph was taken by the photographer Racine circa 1930. Handwritten notes on the verso. It is kept in a paperboard folder bearing the logo of the Alexandria photographer, Apkar Retian.
Retian ApkarPhotographic portrait of Cavafy by the photo shop of Fettel & Bernard in Alexandria, in two copies. The poet has a mustache, he wears a suit with a necktie, and glasses. The logo of the studio on the verso as well as the date handwritten by Cavafy.
Fettel & BernardUndated photographic portrait of Cavafy by the photo shop of Fettel & Bernard in Alexandria. The poet has a mustache, he wears a suit with a necktie, and glasses. He is holding a cane and a hat in his right hand. His left hand rests on a book placed on an ornate piece of furniture. Behind him, a seat. The logo of the photo workshop on the verso. The photograph could be dated circa 1896, due to the striking resemblance to another similar photograph, dated by Cavafy in that year.
Fettel & BernardPhotographic portrait of Cavafy by the photo shop of Fettel & Bernard in Alexandria, in three copies. The poet is wearing glasses and a three-piece suit and a necktie. The photographs are affixed on a large paperboard frame. One of the frames is different from the others. The logo of the photo workshop at bottom right of the verso. On the verso of one of the copies, the handwritten date indication "1911" and on the verso of the other, the indication "1911?".
Fettel & Bernard (Bernard Masson successeur)Undated photographic portrait of Cavafy by the photo shop of Fettel & Bernard in Alexandria, in five copies. The poet has a mustache, he wears a suit with a necktie, and glasses. The logo of the photo workshop on the verso. The photograph could be dated circa 1901 or 1903, as it comes from the same photo shoot as another one, dated by Cavafy in that year.
Fettel & BernardUndated photographic portrait of Charikleia Cavafy. The photo shop's name in the lower part of the recto, as well as on the verso.
Schier & SchoefftPortrait photograph of John Cavafy. Photographer Apkar Retian’s (Studio Apkar) seal on verso, the name of the photographed person with a question mark is noted with pencil.
Retian ApkarPhotograph of Maria (Marie) Cavafy, wife of Aristeidis Cavafy, née Vourou, with their daughter Charikleia in her arms. It is probably a photograph from the infant's christening. The logo of the photo shop in the bottom part of the recto, as well as on the verso. The photograph should be dated to 1896-1897.
Fettel & BernardFaded photographic portrait of Pericles Anastasiadis by photographer Aram Alban of Alexandria, pasted on paperboard. Handwritten signature of the photographer ("Alban & Co") on the paperboard. Handwritten notes on the verso.
Alban & Co.Photograph of Paul Cavafy seated, with a moustache and a beard. The logo of the photo shop in the lower part of the recto as well as on the verso. Accompanied by a subsequent enlarged reprint.
Fettel & BernardPortrait photograph of Paul Cavafy. Photographer Apkar Retian’s (Studio Apkar) seal on verso, the name of the photographed person with a question mark is noted with pencil.
Retian ApkarWall frame containing three photographs, two of Alekos Kampas on either side and one of Polys Modinos in the middle. All three bear handwritten dedications to Alekos Singopoulo. The photographs of Kampas are dated as well. They all bear the embossed stamp of the Alexandria photographer, Aram Alban. To the left, Kampas depicted in profile view, wearing a suit and a bow tie in the right, in facial view, in the same apparel. In the centre, Modinos depicted in three-quarter view, wearing a suit and necktie.
Alban, Aram