Identity area
Reference code
Title
Date(s)
- 1929 (Creation)
Level of description
Extent and medium
32 x 25 cm
Context area
Name of creator
Biographical history
Edward Morgan Forster (1879-1970) was an English novelist, a short story writer and an essayist. He was born in London (England), studied at Cambridge and travelled to around the world. His most famous works include A Room with a View, Howards End, A Passage to India etc. He was a Literature Nobel Prize Nominee, sixteen times. Forster became acquainted with Cavafy in Alexandria (Egypt) during World War I and had a long-term correspondence with him. He introduced Cavafy’s work to the English public and persistently tried to convince the Alexandrian poet to publish his entire work in English.
Name of creator
Biographical history
Name of creator
Biographical history
Rica (Rodopi) Agallianou studied Law and worked at a law firm in Alexandria (Egypt). She directed (together with A. G. Symeonidis) the journalAlexandrini Techni; she was also a columnist for the newspaper Tachydromos and a member of the Press Office of the Greek Consulate in Alexandria. She wrote poems and essays. She was the first to publish Cavafy’s 154 “canon” poems in Alexandria in 1935. Her first marriage was to Alekos Singopoulo and she was very close to Cavafy during the last decade of his life. She died in Athens (Greece) in 1956.
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Handwritten notes on two double sheet notepapers in the form of questions to E. M. Forster; they have been written in French by Rica Singopoulo and they obviously come from his interview with the Tachydromos of Alexandria. Extensive handwritten notes by Forster in English and handwritten notes by Cavafy in pencil. Pages 2-4 are numbered. Cancellations. List of Forster's works by Forster compiled by himself on paper. Forster's address in England on another paper, handwritten by Cavafy. The same note, again by Cavafy, on a small piece of paperboard. Envelope with the address of R. Singopoulo, bearing a rubber mail stamp with the date 24/12/1929.
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Script of material
Language and script notes
French, English
Physical characteristics and technical requirements
Writing in ink and pencil. Physical item wear: oxidations.
Finding aids
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Notes area
Note
Singopoulo, Rica. “Notes by E. M. Forster, R. Singopoulo and Cavafy”. Notes (handwritten), 1929. GR-OF CA SING-S01-F02-SF002-0002 (363), Onassis Foundation Alekos & Rica Singopoulo Fonds. From The Digital Collection of the Cavafy Archive, edited by Onassis Foundation, Athens, last modified 01.10.2025. https://doi.org/10.26256/SING-S01-F02-SF002-0002.
Alternative identifier(s)
Παλαιά ένδειξη ταξινόμησης
Access points
Subject access points
- Notes (handwritten)
- Works by other authors » Where Angels Fear to Tread [Forster, E. M.]
- Works by other authors » The Longest Journey [Forster, E. M.]
- Works by other authors » A Room With a view [Forster, E. M.]
- Works by other authors » Howards End [Forster, E. M.]
- Works by other authors » The Celestial Omnibus [Forster, E. Μ.]
- Works by other authors » The Eternal Moment [Forster, E. Μ.]
- Works by other authors » The Waste Land [Eliot, T. S.]
- Works by other authors » À la recherche du temps perdu [Proust, Marcel]
- Works by other authors » A Passage to India [Forster, E. M.]
- Works by other authors » Aspects of the Novel [Forster, E. M.]
- Works by other authors » Pharos and Pharillon [Forster, E. M.]
Place access points
Name access points
- Forster, E. M. (Authority)
- Cavafy, C. P. (Authority)
- Singopoulo (Agallianou), Rica (Authority)
- Proust, Marcel (Subject)
- Housman, Alfred Edward (Subject)
- Bridges, Robert Seymour (Subject)
- Lawrence, D. H. (Subject)
- De la Mare, Walter John (Subject)
- Eliot, T. S. (Subject)
- Yeats, William Butler (Subject)
- Woolf, Virginia (Subject)
- Keynes, J. M. (Subject)
- Garnett, David (Subject)
- Strachey, Lytton (Subject)
- Fry, Roger (Subject)
- Hardy, Thomas (Subject)
- Bloomsbury Group (Subject)
- Chelsea Group (Subject)
- Sassoon, Siegfried (Subject)
- Waley, Arthur (Subject)
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Archivist's note
Archivist's note
Forster's notes pertain to the presentation of his literary generation, and particularly of his closer circle.