Cavafy’s handwritten letter to Nikos Saravas on a single page, with notes on recto and verso. The poet is sending Saravas copies of his poems “In the Boring Village” and “Apollonius of Tyana in Rhodes”. He thanks Saravas for his intention to send the Proia issue with the published review article of Kampanis on Cavafy’s poetry. The poet sends his regards to Vlachopoulos and mentions his correspondence with Vaianos. Finally, he provides information as to the correct Latin spelling of his name. A clipping of the shipping envelope with the receiver’s information has been saved.

Cavafy’s handwritten letter to Nikos Saravas on a single page, with notes on recto and verso. The poet is sending Saravas copies of his poem “Cleitus’s Illness” and asks him to hand over one of the copies to Marios Vaianos. The poet mentions other poems of his, as well as published review articles about his work. He also asks to learn A. Vlachopoulos’s news and mentions the Kotopouli Theater. A clipping of the shipping envelope with the receiver’s information has been saved.

Polygraphed copy of a handwritten poem ("Candles"), inserted in a double sheet notepaper. The last word of the poem was added by hand later. The double sheet notepaper bears the title of the poem on the first page; the handwritten note on the second page has been crossed out. The remaining pages are blank.

Handwritten fragment of the poem "Candles" in faded ink; it has been emended in ink of a different colour and has been crossed out in pencil. The dates "1901", "1902", "1903" in a circle. Notes in pencil on the verso.

Manuscript of the poem "Candles" and extensive text with comments on the poem on all sides of a double sheet notepaper. The title is written in red ink. Cancellations and emendations. Terms and phrases in French and English.

Collection of poems by Cavafy, comprising loose printed broadsheets. It contains 70 poems. All broadsheets (except for the first) are numbered at top right of the recto. The verso of all broadsheets is blank. Sequential numbering from 2 to 20 and from 22 through 70; the numbers are usually printed and only on one instance corrected by the poet's hand ("21" corrected to read "8".). Sheet serving as front cover, with the handwritten title "Cavafy Poems (1915-1925)", not written by the poet. Below that, written by another person, the note: "Gray is missing". In the centre of the page, rubber stamp of the journal Nea Techni of Athens. At bottom right the note, in a different handwriting than the other two, "Cavafy's songs, Alexandria 1924" has been crossed out. Blank sheet at the end, in lieu of a back cover. The broadsheets were printed at the Kasimatis & Ionas and Mitsanis printing houses in the period 1919-1925. Some of them mention the month of publication (August, October, December 1920; March, June, September, December 1921; February, December 1922; May, 4 September, 2 November 1923; 3 January, 7 July, 9 December 1924; 20 January 1925). Handwritten emendations by the poet in the publication details of some of the broadsheets. Accompanied by envelope.

Two sheets initially affixed and subsequently detached. On one side of the ruled first sheet, the manuscript of the poem "Chaldean Image". Cancellations and emendations. At top left, number "164" crossed out and at top right the date indication "1894"; note in pencil at bottom left. Blank verso. crossed out fragment of the manuscript poem "Indian Image" on one side of the second sheet. Number "163" at top right. On the other side, manuscript of the poem "The Hereafter", initially affixed on the blank verso of the first sheet. The titles have been underlined and there is a line in red ink below the poems.

Autograph manuscript of the poem "Chandelier" on one side of a ruled sheet. Note in pencil below the poem. Blank verso. Handwritten notes on two small pieces of paper.

Handwritten notes on the poem "Chè fece... il gran rifiuto" on both sides of a ruled paper. Extensive use of abbreviations. The title is written and underlined in red ink.

Handwritten list with chronological indications (1891-1912) and poem titles, on 13 pieces of paper of various sizes. Several titles are abbreviated. Some chronological records are indicated as "rewriting" and are accompanied by the title of the poem to which they refer. Cancellations and emendations throughout the list. Apart from three parts of the item, the rest bear writing (by hand or printed) on either side. The versos of five parts of the item have a different theme (not a chronological list). Explicitly and in squence according to the recto: verso (F5-Φ15) with fragment of a manuscript poem (probably "In an Old Book"), verso (F5-Φ13) with fragment of a manuscript poem (probably a version of "A Love") in handwriting different from that of the poet; verso with fragment of a printed money order card dated 13/7/1893; verso (F5-Φ8) with a short letter by Aristeidis Cavafy to C. P. Cavafy, dated 3/7/1894; verso (F5-Φ6) with arithmetic operation; verso (F5-Φ4) with fragment of abbreviated text and verso with fragment of a bid submission card.

Handwritten chronological table containing poems of the period August 1891 - 1925 period, in five loose double sheet notepapers. The right half of the blank second sheet of the fourth notepaper has been cut off. The last page of the fifth notepaper is blank.

Manuscript poem and attached notes. The poem "Coins" and notes in the margin on the first page of a double sheet notepaper. Variations of verses of the same poem on a separate sheet. Verses on the recto of a small-size piece of paper marked as variations ("Var[iantes]"). The note on the verso may be considered as a fragment of a larger draft; cancellations and emendations.

Collection of poems by Cavafy, comprising 44 loose printed broadsheets, with 40 poems on the recto. The verso of all sheets is blank, except for one, which bears handwritten notes. They have all been printed at the Kasimatis & Ionas printing house during the period 1917-1920. Two of the broadsheets have an indication of the month in which they were printed (July 1919). They bear printed numbering (3-41) at top right of the recto, crossed out and corrected on several instances in ink by Cavafy. The first poem ("But Wise Men Apprehend What Is Imminent") bears the number 14, crossed out in ink. The next poem ("In the Entrance of the Café") bears the number "3" (corrected by hand from the printed "16"). From there on, the numbering is sequential. There is no front cover, rear cover or table of contents. Handwritten notes by Tellos Agras in pencil on some of the broadsheets. A hole at top left of all sheets indicates that they were bound using a paperclip. Accompanied by envelope.

A collection of Cavafy’s poems, comprising fourteen loose printed broadsheets with 12 poems on recto. The verso of all sheets is blank. All poems are accompanied by the company name of the Kasimatis & Ionas printing house in Alexandria; they were printed during the period 1915-1916. Printed and handwritten page numbers with pencil on the top right on recto. A hole at the top left on recto of all sheets indicates that they used to be bound by a paperclip. No front cover, back cover or table of contents.

Handwritten musical score on all sides of a double sheet notepaper. Copy of a composition by George Poniridy for voice and piano, based on the poem "Come Back" by Cavafy. The verses the poem written above the notes.

Manuscript of the poem "Come Back" on the recto of a ruled sheet. Cancellation on the body of the poem. Handwritten notes in pencil below the poem. Underlined title and line at the end of the poem. The title "I' ve Gazed So Much" at the top of the verso.

Handwritten poem ("Come Now, King of the Lacedaemonians") on one side of a sheet. Cancellations and emendations. Notes on the verso.

Autograph manuscript of the poem "Come Now, King of the Lacedaemonians" on one side of a sheet. Cancellations and emendations. At the bottom, affixed piece of paper with printed details: date, corrected by hand to read "26 October 1929", and the brand name "Kasimatis & Ionas Printing shops – Alexandria". Sheet number marked at top right: "62". Illegible numerical indications in pencil on the verso.

Handwritten notes with comments by Cavafy on the French translations of his poems, recorded by another person (most probably Rica Singopoulo), since he is mentioned in the text as "C.". The text is written on two separate sheets –recto and verso–, one of which is a letterhead of the journal Alexandrini Techni and bears a printed date indication 193[..]. Extensive commentary on the poems "Ithaca" (Ithaque), "The City" (La ville) and "Ides of March" (Les ides de Mars). Cancellations and emendations.

Handwritten drafts of the poem "Company of Four" on both sides of a sheet; on one side of a cut printed broadsheet with fragment of a poem and the indication "Alexandria 1926" (arithmetic operation on the other side); on both sides of a piece of paper, torn on one edge; on the verso of a shares form of the National Bank of Egypt dated "21 March 1930" and Cavafy's signature in English. Handmade folder from the card of the Alexandrini Vivliothiki for an event dated "30/9/1930". The handwritten title of the poem and the note "Prov[isional] ti[tle]" on the verso of the card.

Upper half of a ruled sheet with the manuscript poem "Confusion". Number "156" at top left and date indication at top right ("March 1896"). Fragment of the handwritten poem "Again in the Same City" on the verso. The title has been crossed out and emended to "The City". Number "155" at top right. The text has been crossed out.

Handwritten text on a homemade notepad, sewn on the spine. Travel diary and notes. The title handwritten on the cover. Mentions of non-Greek publications and bibliographical references to 1880 and 1807 editions. Some pages are blank. One page in Greek. Note on metrics below (Homeric?) verses in English. Copy of a poem by D. Solomos and its translation into English. The poet departs, together with his mother and two of his siblings, on a steamboat to Istanbul on the aftermath of the Urabi Revolt, for which young Cavafy provides a short analysis. Extensive reference to the members of the Fotiadis family. The narration covers the period 23/6-8/7/[1882].

Copy of a letter by Gaston Zananiri to Cavafy with reference to the journal Ma revue.

Handwritten copy of a letter by Cavafy to E. M. Forster on three pages of a bifolio. The poet expresses his admiration for the work of Harold Monro and Siegfried Sassoon. He mentions that he is revising the translations of his poems in the prospect of publishing them with the Hogarth Press. Cancellations. (Alexandria)

Handwritten copy of a letter by Cavafy to E. M. Forster on both sides of a sheet. Cavafy consents to the re-publication of an article by Forster regarding the poet (originally published in The Athenaeum) in a book prepared by Forster. Remarks on the English translation of the poem "In the Month of Hathor". Accompanied by envelope as well as by a draft of the same letter on both sides of a ruled sheet, with cancellations and emendations. (Alexandria)

Handwritten copy of a letter by Cavafy to E. M. Forster on the first three pages of a bifolio. The last page is blank. Cavafy refers mainly to the reception of his work in Britain. Few cancellations and emendations in pencil.

Handwritten copy of a receipt from a collaboration between Cavafy and The Criterion. Accompanied by the original typewritten letter of the journal. (London)

Manuscript of the poem "Correspondences According to Baudelaire" on both sides of a ruled sheet. Cancellations and emendations. Date indication ("Aug. 1891") at top left of the verso; number "2" at top right crossed out. The title has been underlined and there is a line in red ink below the poem. The crossed out title "Builders" at the bottom of the verso.

Poetry collection by Cavafy (Γ8) comprising 32 printed broadsheets with 28 poems (the poem "In the Street" has been included twice by mistake). Cover of paperboard and title page. On both, the printed title "C. P. Cavafy Poems (1916-1918)". All sheets have been printed at the Kasimatis & Ionas of Alexandria printing house in Alexandria in the period 1925-1929. Fonts of different sizes and papers of various qualities. Printed numbering of the sheets (2-30) at top right of the recto, crossed out in several instances by Cavafy. Table of contents on the recto of the last sheet, and loose sheet with the poems listed chronologically (1916-1918) in two columns. Handwritten emendation by Cavafy in the text of a poem.

Poetry collection by Cavafy (Γ9) comprising 69 poems (85 loose printed broadsheets and two blanks). The collection is enclosed in a double-sheet, with the printed title "C. P. Cavafy Poems. Alexandria 1919-1931" and handwritten dedication by Cavafy to Kostas Miniakis in the first page. Table of contents, arranged chronologically by year (1919-1931), with handwritten additions for the years 1929-1931 in the last two pages of the double-sheet. The poems are numbered in print, corrected in many instances by the poet. Handwritten emendations in some verses (43, 46). The broadsheets were printed at the Kasimatis & Ionas printing house in Alexandria. Additional information regarding the year they were first printed (1926-1932) mentioned in some cases. All sheets, except for three, have a hole from a metal paperclip at the top left of the recto.

Handwritten drafts of the poem "Crime" on a ruled sheet; on two pieces of paper (one of which is marked "4" at the top left of one side); on the verso of a broadsheet with fragment of the poem "Orophernes". Handmade folder of wrapping paper, with the handwritten title and date.

Handwritten English translation of the poem "Dangerous" by G. Valassopoulo on one side of a sheet. Cancellations and emendations in pencil. Handwritten note on the verso. Copy by Cavafy of part of the same translation on the recto of half a sheet. On the verso, the English title of the poem and number "8" have been crossed out. Handwritten notes by Cavafy on the translation of the poem on one side of a piece of paper. Blank verso. Broadsheet, printed in 1919, with the poem in Greek on the recto. Number "13" has been crossed out and corrected to "21", in ink at top right. Blank verso.

Typewritten French translations of the poems "In the Street" and "Days of 1903" on one side of five sheets. The poems are found in more than one copies. Handwritten emendations. Rica Singopoulo is mentioned as the translator at the end of each poem.

Autograph manuscript of the poem "Darius" on the first and third pages of a double sheet notepaper. Number "49" at top right of the first page. Date annotation ("October 1920") and the brand name of the Kasimatis and Ionas printing house at the bottom of the third page. Cancellations and emendation. Printer's copy.

Manuscript of the poem "Darius" on the first two pages of a double sheet notepaper. Notes in pencil on the third page; the fourth page is blank.

Manuscript with the original title "Days of 1900" on either side of a piece of paper. The date has been crossed out and emended to "1898". Cancellations and emendations.

Two handwritten copies of the poem "Days of 1900" on the recto of two ruled sheets. The verso of both sheets is blank. The copies, which have no differences in their text, are signed "C. P. Cavafy". They are accompanied by a small piece of white paperboard with the note "draft? variations?", which has not been written by Cavafy.

Autograph manuscript of the poem "Days of 1903" on one side of half a ruled sheet. Cancellations and emendations. Underlined title and line at the end of the poem. Blank verso.
Crossed out manuscript of the poem "March 1907" on one side of a ruled sheet. Notes below the poem. The initials "R. M." at top left. Blank verso.
Handwritten notes and cancellations on all sides of three pieces of paper of various sizes. On one of them, draft of the poem "Days of 1903".

Manuscript of a poem and attached handwritten note. The poem "Death of a General" as well as notes on the margin, cancellations and emendations on the recto of a ruled sheet. The title has been underlined and there is a line in red ink below the poem. On the verso, part of the poem "Waiting for the Barbarians», a note with the title and a reference regarding its publication (Lagoudakis publishing, Alexandria 1904). The text on the verso has been crossed out. The handwritten note "Not for publication. But may remain here" on a separate piece of paper attached to the sheet.

Handwritten English translation of the poem "Of Demetrius Soter (162-150 B.C.)" by G. Valassopoulo on both sides of a sheet, with handwritten cancellations and emendations by Cavafy. On all sides of two pieces of ruled paper, handwritten copy of Valassopoulo's translation by Cavafy, with the emended text and new emendations. Pages 2 to 4 are numbered. Crossed out handwritten notes by Cavafy on the translation of the poem on either side of a sheet.

Two typewritten copies of the English translation of the poem "Of Demetrius Soter (162-150 B.C.)" by G. Valassopoulo on the recto of four sheets. The second sheet of each copy is numbered. Handwritten emendations in ink. Blank versos.

Typewritten French translations of the poems "Since Nine-" and "That They Come-" on three sheets. One of the sheets has writing on the verso as well. One of the two poems is in two copies.

Draft of written letter by Cavafy to Tellos Agras in single page, with notes, erasures, and corrections on recto and verso. Cavafy thanks Agras for supporting his work and provides clarifications as to the poem collection that he had sent him in the past. At the same time, he offers detailed information on the way his poems are distributed, while he speaks warmly of the special feature to his work in the journal Nea Techni, in which Agras also took part. Cavafy also encloses a list with the chronological order of his poems and a clipping of Alexandrini Techni with his printed poems. Finally, he sends two copies of the poem “Days of 1901”.

Handwritten draft letter by Cavafy to a recipient with an illegible name (possibly "Per.", therefore it may be to Pericles Anastasiadis) on both sides of two ruled sheets. Comments on the language he uses in his work and on the process of composition he follows; references to poems of his. Abbreviations, cancellations and emendations.

Handwritten draft letter (possibly fragmentary) by Cavafy to a recipient named Christopher (probably Scaife) on both sides of a sheet of paper. Reference to a possible visit of the recipient to Alexandria as well as to a lecture he will be giving on Shakespeare's Hamlet. Cavafy also refers to translations of his poems into English by the recipient of the letter and informs him that he is returning to him the –in his opinion successful– translation of the poem "The Mirror in the Entrance". Cancellations and emendations.

Handwritten draft letter by Cavafy to Alekos [Singopoulo] written on both sides of two sheets folded in bifolios. The poem mentions the dates of letters he has sent the Singopoulos as well as news of literary interest.

Handwritten draft letter by Cavafy on three ruled sheets. Pages 3-6 are numbered. Cancellations and emendations. The letter is addressed to Constantin Photiadès. Positive comments and short quotes from Photiadès' books on Maria Kalergis and Pierre de Ronsard. Update on the despatch of his poems and their translations into French. Reference to a 1921 edition. Signed: "CPC". Interpolated phrases in French.

Handwritten draft letter by Cavafy to E. M. Forster on both sides of a sheet, with cancellations and emendations. Positive comments on the publication of "Darius" in The Nation. Cavafy lets Forster know of the despatch of a translation of "Demaratus", as well as of the progress of the English translations by G. Valassopoulo.

Handwritten draft letter by Cavafy to E. M. Forster on both sides of a sheet, regarding Robert Graves. Cancellations.

Handwritten draft letter by Cavafy to E. M. Forster on both sides of an undated printed broadsheet with the poem "The Satrapy" (with cancellations and emendations). He informs the latter of the completion of the English translation of the poem "Darius" by G. Valassopoulo.

Handwritten draft letter by Cavafy to E. M. Forster, written on both sides of an undated broadsheet containing the poem "The God Abandons Antony" and on both sides of part of a print with fragment of the poem "Ithaca". Reference to the English translations of Cavafy's poems by G. Valassopoulo. Numerous cancellations and emendations. Poem titles in Greek.

Handwritten draft letter by Cavafy to E. M. Forster on both sides of two sheets. The second and third pages are numbered. He expresses his satisfaction for the publication of his poem "One of Their Gods" in the Chapbook and informs about the despatch of new translations of his poems. Cancellations and emendations.

Handwritten draft letter by Cavafy to E. M. Forster on both sides of two ruled sheets. Page 3 is numbered. Comments on the latter's writings in a previous letter of his. Cancellations and emendations.

Two handwritten copies of a letter by Cavafy to E. M. Forster, one of which is written on both sides of a sheet folded in a bifolio, and the other on both sides of a sheet. Reference to issues regarding the English translations of poems of his and despatch of two new translations by G. Valassopoulo. The poem titles in Greek. Two copies of the translation of the poem "Envoys from Alexandria" by G. Valassopoulo, one written and signed by Cavafy (on the first page of a ruled double sheet notepaper) and the other written by another hand (on a ruled sheet), with authorial notes and emendations. Two copies of the translation of the poem "Those Who Fought on Behalf of the Achaean League" by G. Valassopoulo, one written and signed by Cavafy and the other written by another hand, with notes and corrections by Cavafy. The translations which are not written by the poet are most likely written by Valassopoulo. Cavafy corrects Valassopoulo's translations and incorporates the corrections into written up copies, which he sends to Forster.

Handwritten draft letter by Cavafy to E. M. Forster regarding the translations of poems of his into English, written on both sides of a sheet and on the verso of a printed broadsheet containing the poem "Chandelier". The second and third pages are numbered. Cancellations and emendations in ink and pencil. The broadsheet was printed in 1918. Cavafy expresses his contentment for the apparent interest in his poetry in England. He also refers to new English translations of poems of his.

Handwritten draft letter by Cavafy to Harold Edward Monro on all four pages of a bifolio. Cancellations and emendations. He thanks him for the despatch of a journal issue and comments on its contents (mainly works by British poets). He sends his poem "One of Their Gods". On the last page, the address of The Poetry Bookshop. (Alexandria)

Handwritten draft letter by Cavafy to his cousin, Marika [Zalichi], in a bifolio and in a cut small-sized sheet, with text on all sides. Reference to the poem "F.G."; the recipient is asked to destroy the copy in her possession as Cavafy sends the new version, entitled "Voices". References to the recipient's family, to John Cavafy and to current affairs. One page is numbered ("6"). Cancellations, emendations and abbreviations.

Handwritten draft letter by Cavafy [to Rica Singopoulo] on both sides of a sheet and on the verso of a printed list of Cavafy's poems from the 1916-1918 period. The poet sends his regards authors in Athens and refers to the presence of the Singopoulos in the Delphic Festival. He comments on his latest collection and mentions the printed media in which some of the poems contained therein have been published.

Handwritten draft letter by Cavafy to Tellos Agras in the first page of a bifolio and in the first and second pages of a second bifolio. The remaining pages are blank. Thanks and remarks on a lecture delivered by Agras regarding the poet. Cancellations. Date indication: «3/16 Sept.».

Two handwritten draft letters by Cavafy to E. M. Forster, one of which is written on both sides of a sheet; the other is written on one side of a sheet and crossed out. References to André Maurois, George Antonius and Robin Furness. Mention of the despatch of two new translations of poems by G. Valassopoulo: "Of the Jews (50 A.D.)" and "Tomb of Eurion".

Two handwritten draft letters to John B. Edwards The first is in English, on one side of three sheets. The first page of the letter is written on the verso of a printed broadsheet of the poem "That Is He", which contains an emendation. The second page, numbered at top right, is written on the verso of a printed broadsheet with fragment of the poem "Morning Sea", which also contains an emendation. The second draft of the letter is written in Greek, on both sides of two ruled sheets. Pages 3 and 4 are numbered at top left. Both draft letters refer to the English translations by Edwards of the poems "Walls", "Candles" and "Song of Ionia". Handwritten copies of the English translations of the three aforementioned poems by Cavafy on the recto of three ruled sheets, with the translator's name noted.

Draft of the poem "Days of 1901" on one side of a ruled sheet. Numbers on the verso.

Handwritten draft of a poem in pencil on one side of a ruled sheet. Notes in English in black and red ink on the other side; cancellations.

Handwritten draft of an untitled poem, written in pencil on both sides of half a sheet. In the recto, number "32" in a circle above the text.

Handwritten draft of a poem on one side of a sheet (and handwritten note on its verso) as well as in two pages of a ruled double sheet notepaper. Cancellations and emendations.

Handwritten draft of a poem on both sides of part of a ruled sheet. Cancellations. Arithmetic operations on the verso.

Handwritten draft of an untitled poem on the verso of a letter by John Cavafy to C. P. Cavafy. Brief note in ink below the draft. The letter is dated 1/4/1908 and is written on a letterhead of R. J. Moss & Co., Cairo. John informs C. P. Cavafy that he is returning him the letters of their brother, Paul.

Handwritten draft of a poem on one side of a sheet. Crossed out fragment of the poem "Come Back" on the verso.

Handwritten draft of an article on all sides of a double sheet notepaper with affixed addition. Reference to the journal Lanterne Sourde and to the initiative to approach the literary production of Egypt and the Western world. Commentary on the potential contribution of Greeks in Egypt to this effort. Cancellations and emendations.

Handwritten text, draft of an article about the "Chronicle of Morea". Cancellations and emendations. The text spreads on four sheets, written on both the recto and the verso. The pages are numbered from the second sheet onwards (3-8).

Manuscript of a poem and attached handwritten note. On one side of a sheet, the poem "Dread". Notes in the margin of both sides. The title has been underlined and there is a line in red ink below the poem. Cancellations and emendations. The handwritten note "This poem need not be published But it may continue remaining here. It does not deserve to be suppressed." and the date indication "15.3.'11" on a separate piece of paper attached to the sheet.

Paper affixed on a ruled sheet with the title and fragment of the poem "Epigram to Anacreon". On the same side of the sheet the poem "Forgetfulness". Both poems are written in ink and crossed out in pencil. Number "126" in pencil at top right.
The poem "Salome" on the verso. The title has been underlined and there is a line in red ink below the poem. Footnote with a quote from a Gospel of Nubia, as published in the newspaper Le Journal, in February 1896. Number "127" in pencil at top right.

Handwritten drafts of poems on both sides of a ruled sheet and on one side of part of a second sheet. The poem "Epitaph" on the recto of the first sheet. The title has been written by Cavafy, the poem by another person. Emendations by the poet in some of the verses. Note at top right, date ("June 1893") at bottom right, both by Cavafy. The poem "Good and Bad Weather" on the verso of the same sheet; the handwriting is not Cavafy's.
Fragment of a poem has been crossed out on one side of part of sheet; the handwriting is not Cavafy's. Part of the poem "Nous n’osons plus chanter les roses" on the other side. The title has been written by Cavafy, but the text of the poem has been written by a different person. The verso was originally pasted on the verso of the first sheet (and thus the poems "Good and Bad Weather" and "Nous n’osons plus chanter les roses" had been concealed.
Cavafy's handwritten notes on one side of a sheet and on both sides of a second sheet as well as on the verso of a printed broadsheet with the crossed out fragment of the poem "From the School of the Renowned Philosopher". Handmade folder with the handwritten title "Epitaph of a Samian" and the date "Oct. ’25".

Manuscript of the poems "Epitaph" and "Absence" on both sides of a sheet. There are numbers next to certain verses; the titles have been underlined and there is a line in red ink below each poem.

Manuscript by Cavafy with the English translation of the poem "Faithlessness" on the recto of a ruled sheet. The poem has been crossed out in pencil. The typewritten English translation of the poem "Walls" on the verso. Abbreviations, cancellations.

Handwritten notes on the poem "Finished" on two pieces of paper. Extensive use of abbreviations. The handwritten title on another piece of paper.

Handmade folder of paperboard folded into a bifolio. The first page indicates that it contains correspondence with The Hogarth Press publishing house, letters by P. Anastasiadis, G. Valassopoulo and others, and press clippings as well as clippings from journals in which Cavafy's poems had been published. The list of contents has not been written by the poet (most probably by Rica Singopoulo). Second folder of larger dimensions with the indication "Translations - Correspondence with 'The Hogarth Press' publishing house", written by G. A. Papoutsakis.

Handwritten English translation of the poem "For Ammones, Who Died at 29 Years of Age, in 610", by G. Valassopoulo on one side of a sheet. Handwritten cancellations and emendations by Cavafy in pencil. Blank verso. Crossed out handwritten notes by Cavafy on both sides of a cut piece of paper.

Handwritten English translation of the poem "For Ammones, Who Died at 29 Years of Age, in 610", by G. Valassopoulo on both sides of a sheet; cancellations and emendations. Typewritten copy of the same poem on the recto of a sheet.