Handwritten draft of the poem "Zenobia" on both sides of a ruled sheet. Paperboard with the handwritten title and date.

Visiting card of Paul Vanderborght with handwritten note. Accompanied by a printed single-column entitled "Appel du Comité Rupert Brooke", with handwritten note regarding its publication in the press and typographical corrections.

List of Cavafy's poem titles in English, in a four-page folder. Handwritten note in Greek ("Translations") on the cover; the list in the inner pages. The titles are divided in three parts, numbered accordingly (1-3), while there is an additional note on part 1.

Manuscript of the poem "The Seleucid's Displeasure" in the first page of a ruled double sheet notepaper. Cancellations and emendations. crossed out notes at top and bottom of the page. Number "345" in brackets at bottom right. Pages 2 and 3 are blank. Notes on the fourth page, some of which crossed out. Notes on five pieces of paper of various sizes and on a ruled sheet. One of the papers bears fragment of a typewritten official letter on one side.

Manuscripts of poems on four sheets. The item comprises a total of four ruled sheets (the last three of which had been initially pasted together so as to form a double sheet notepaper) and two pieces of paper (initially affixed on two of the sheets' pages). On one side of the first sheet, the title "The Funeral of Sarpedon", note on the publication of the poem (in Skokos' Ethnikon Imerologion), emendations and variations in some of the verses, all written by Cavafy and crossed out. At the top of the page, two crossed out verses of a poem and number "115" at right. On the other side of the sheet, part of the poem "The Mimiambs of Herodas", written by another person. Cancellations and emendations by Cavafy. Small paper with note by the poet (emendation of four verses) initially pasted on the middle of the page. On one side of the second sheet, the continuation of the previous poem with cancellations, emendations and notes by Cavafy. Number "117" at top right; the date indication "Novem. 1892" at bottom right. Initially affixed over the middle of the page, a piece of paper with a variation of the last stanza of the poem, handwritten by Cavafy. The other side of the sheet is blank. Part of a poem on one side of the third sheet, which has not been written by Cavafy. Cancellations and emendations, handwritten by Cavafy. This side of the sheet had been initially affixed on the blank side of the second sheet. On the second page of the third sheet, the poem "Azure Eyes", written by Cavafy. The blank side of the fourth sheet had been initially affixed on the second page of the previous sheet (and, consequently, covered the poem "Azure Eyes"). On the other side of the last sheet, the poem "Alexandrian Merchant", written by Cavafy. Indicated date ("Apr. 1893") and notes by the poet in pencil, below the text.

Envelopes and parts of envelopes with the details of the recipient C. P. Cavafy (approximately 75). The items bear postage stamps and seals, while some also bear handwritten notes with enumeration details and information regarding the date they were received. Handwritten notes by C . P. Cavafy and his brother, John Cavafy, on one envelope; another envelope is accompanied by a short note with date indication and the signature "John" written by the poet's brother. The envelopes accompany the letters sent by Paul Cavafy to C. P. Cavafy during the former's stay abroad.

Handwritten untitled text on the recto of two ruled sheets, taken from a notepad. Blank versos. The text is most likely written by Rica Singopoulo. Pages "2" to "12" are numbered at top centre. The text analyses and presents Cavafy's poetic work, with references to poets, writers and critics.

Part of a handwritten text by Rica Singopoulo on the verso of three sheets and on both sides of a fourth sheet. The sheets are numbered 3-6 at top left of the verso. The undated text describes political events during a period of instability and uncertainty in Egypt and, on that basis, may be dated in the 1936-1937 period. Cancellations and emendations.

Two postcards depicting works by Theodore Ralli ("Aphrodite", "Les dernières lueurs") from the 1904 Salon, one of which bears a handwritten note of thanks by the artist to Cavafy; the artist's signature on the side of the picture of the other card. The recipient's details are written in French in the space provided for the text and the address.

Photograph of Paul Cavafy seated, with a moustache and a beard. The logo of the photo shop in the lower part of the recto as well as on the verso. Accompanied by a subsequent enlarged reprint.

Photograph of Maria (Marie) Cavafy, wife of Aristeidis Cavafy, née Vourou, with their daughter Charikleia in her arms. It is probably a photograph from the infant's christening. The logo of the photo shop in the bottom part of the recto, as well as on the verso. The photograph should be dated to 1896-1897.

Undated photographic portrait of Cavafy by the photo shop of Fettel & Bernard in Alexandria, in two copies. The poet has a mustache, he wears a suit with a necktie and glasses. The logo of the photo workshop on the verso as well as handwritten dedication by Cavafy to his friend, Pericles Anastasiadis. The photograph should be dated circa 1896, due to the striking resemblance to another similar photograph, dated by Cavafy in that year.

Undated photographic portrait of Cavafy by the photo shop of Fettel & Bernard in Alexandria, in three copies. The poet has a mustache, he wears a suit with a necktie, and glasses. He is resting with both hands on a book placed on an ornate piece of furniture. Behind him, a seat. The logo of the photo workshop on the verso. The photograph could be dated circa 1896, due to the striking resemblance to another similar photograph, dated by Cavafy in that year.

Undated photographic portrait of Cavafy by the photo shop of Fettel & Bernard in Alexandria, in three copies. The poet has short hair and mustache; he wears a suit with necktie, and glasses. The logo of the studio on the verso.

Undated photographic portrait of Cavafy by the photo shop of Fettel & Bernard in Alexandria, in seven copies. The poet has short hair and mustache; he wears a suit and glasses. The logo of the studio on the verso.

Undated photographic portrait of Cavafy by the photo shop of Fettel & Bernard in Alexandria, in six copies. The poet has a mustache, he wears a suit with a necktie, and glasses. The logo of the photo workshop on the verso. The photographs are placed inside a handmade folder of paperboard, on which the date indication "1901 or 1903" is written by the poet.

Undated photographic portrait of Cavafy by the photo shop of Fettel & Bernard in Alexandria. The poet has a mustache, he wears glasses, a three-piece suit and a necktie. The logo of the photo workshop on the verso.

Undated photographic portrait of Cavafy by the photo shop of Fettel & Bernard in Alexandria, in two copies. The poet has short hair and mustache; he wears a suit and glasses. The logo of the studio on the verso.

Photographic portrait of Cavafy by the photo shop of Fettel & Bernard in Alexandria, in two copies. The poet has a mustache, he wears a suit with a necktie, and glasses. The logo of the studio on the verso as well as the date handwritten by Cavafy.

Undated photographic portrait of Cavafy by the photo shop of Fettel & Bernard in Alexandria. The poet has a mustache, he wears a suit with a necktie, and glasses. He is holding a cane and a hat in his right hand. His left hand rests on a book placed on an ornate piece of furniture. Behind him, a seat. The logo of the photo workshop on the verso. The photograph could be dated circa 1896, due to the striking resemblance to another similar photograph, dated by Cavafy in that year.

Photographic portrait of Cavafy by the photo shop of Fettel & Bernard in Alexandria, in three copies. The poet is wearing glasses and a three-piece suit and a necktie. The photographs are affixed on a large paperboard frame. One of the frames is different from the others. The logo of the photo workshop at bottom right of the verso. On the verso of one of the copies, the handwritten date indication "1911" and on the verso of the other, the indication "1911?".

Undated photographic portrait of Cavafy by the photo shop of Fettel & Bernard in Alexandria, in five copies. The poet has a mustache, he wears a suit with a necktie, and glasses. The logo of the photo workshop on the verso. The photograph could be dated circa 1901 or 1903, as it comes from the same photo shoot as another one, dated by Cavafy in that year.

Photograph of a woman in a dark dress next to a vase. On the verso, handwritten dedication to John Cavafy, signed "J B K"; place (Alexandria) and date indication, all in English. The logo of the photo shop in the lower part of the recto as well as on the verso.

Photographic portrait of a young woman wearing a shirt, from the photo shop L. Fiorillo of Alexandria. The logo of the photo shop in the lower part of the recto as well as on the verso, along with printed technical details.

Photographic portrait of a woman in a white dress and her hair worn up. The logo of the photo shop in the lower part of the recto as well as on the verso.

Photographic portrait of a young woman. The logo of the photo shop in the lower part of the recto as well as on the verso.

Photographic portrait of a young man in a suit, wearing a bow tie. The logo of the photo shop in the lower part of the recto as well as on the verso.

Photograph of a standing man in colonial apparel and a colonial hat. He is holding a cane in his right hand. The logo of the photo shop in the lower part of the recto as well as on the verso.

Photograph of a man in a suit and sitting on a rock, from the photo shop of N. Fettel & Cie of Alexandria. The photo shop's name in the lower part of the recto. The full logo on the verso. At top right of the verso, faded illegible handwritten dedication in ink to J.C.C. (most likely John Cavafy) and the date; the name of the person depicted ("captain Th[eodore?] Osborne") and the name of the steamboat ("Mareotis").

Photographic portrait of a man in a moustache, beard and plaid necktie. The logo of the photo shop in the lower part of the recto as well as on the verso.

Photographic portrait of a man in a plaid jacket. The logo of the photo shop in the lower part of the recto as well as on the verso.

Photographic portrait of a young man with a moustache and a beard. The logo of the photo shop in the lower part of the recto as well as on the verso.

Photographic portrait of a young man with a moustache and a beard. The logo of the photographer in the lower part of the recto (part of which has been cut off) as well as on the verso.

Personal scrapbook of many sheets with attached printed and handwritten invites addressed to Paul and the Cavafy family for various social events, some newspaper publications as well as other relevant souvenirs (menus, lists with balls etc.). On some pages, handwritten notes, either of chronological indications noting the changing of the years or, rarely, clarifying notes about an invitation etc.

Handwritten drafts of the poem "Of the Sixth or Seventh Century" on the recto of two sheets and of one piece of paper. Blank verso. Handmade folder with the handwritten title and date on the one side of a print; the advertisement of a food shop in Alexandria on the other side.

Handwritten text by Rica Singopoulo on the recto of thirteen sheets from a notepad. Blank versos. Seven sheets have been torn off the notepad. Rica Singopoulo's notes pertain to the history of the poet's paternal and maternal family, for the members of which is provided all the information she collected from the poet himself as well as from his notes. Extensive reference to the life of the poet and that of his brothers. Cancellations and emendations.

Handwritten notes on ruled sheets and a double sheet notepaper as well as on pieces of paper of various sizes, some numbered and some with date indications. Among them: notes on the verso of letterheads with typewritten official correspondence in English. Notes in English and in French. Notes on the words "perfect" and "parfait", and their correct translation in Greek, as appropriate. Notes on the Seleucids. Bibliographical references. Extensive use of abbreviations.

Abbreviated notes in pencil on the first page of a ruled double sheet notepaper. Draft of an official letter and notes, also in pencil, on the second page. On its last two pages, quotes in ink from a book and bibliographical reference regarding a ceremony in an ancient Gymnasium. On another ruled sheet, quotes on the recto and notes on the verso (some crossed out). Extensive use of abbreviations. The quotes correlate the item with the poem "Alexandrian Kings".

Handwritten notes on both sides of two ruled sheets and on the verso of part of a printed medium with a fragment of the poem "Alexandrian Kings". Cancellations and emendation, some in ink. Pages 2-4 are numbered. Comments by Cavafy on the literary production of the Greeks in Egypt.

Handwritten note on behalf of the Processing Office of the newspaper Konstantinoupolis on a postal card to Cavafy, with notes on both sides. It refers to the publication of a text by Cavafy ("Traces of Greek Thought in Shakespeare") in the newspaper and the despatch of copies. The card bears printed details (in French and Turkish, in the Arabic alphabet), stamps of postal services (Istanbul; Alexandria); the name of the recipient and his address are handwritten in French.

Handwritten note by Paul Cavafy to C. P. Cavafy from Hyères, France, on a postcard. He expresses thanks to C. P. Cavafy for an issue of the [The Egyptian] Gazette he received. Short comment on the landscape depicted on the card. The card bears a postage stamp, mail service rubber stamps (Hyères, Alexandria) and recipient details. The date "12.9.'11" entered on the card indicates the time it was received (which coincides with the dates on the mail rubber stamps). Handwritten indication "27Α". The other side of the card depicts a chapel at Hyères ("Chapelle de l’Ermitage"). (Hyères)

Handwritten note by Paul Cavafy to C. P. Cavafy from Hyères, France, on a postcard. Paul informs him that he has received his letter of 8 September and that he has written to Mrs Theodorou (the name is abbreviated, "Mrs Th."). The card bears a postage stamp, mail service rubber stamps (Hyères, Alexandria) and recipient details. The date "21.9.'11" entered on the card indicates the time it was received (which coincides with the dates on the mail rubber stamps). Handwritten indication "28Α". The other side of the card depicts a church at Hyères ("Eglise St Paul"). (Hyères)

Handwritten note by Paul Cavafy to C. P. Cavafy from Hyères, France, on a postcard. Paul informs him that he has received his letter of 13 January. The card bears a postage stamp, mail service rubber stamps (Hyères, Alexandria) and recipient details. The indication "34Α" is noted in the margin, in pencil. The other side of the card depicts the "Hôtel Regina Hespérides" at Hyères. (Hyères)

Handwritten note by Paul Cavafy to C. P. Cavafy from Italy, on a postcard. The card bears a postage stamp, mail service rubber stamps (railroad service in Italy and Alexandria) and recipient details. The indication "40Α" is noted in the margin, in pencil. On the other side of the card, view of the Tower and Cathedral at Pisa.

Handwritten note by Paul Cavafy to C. P. Cavafy from Hyères, France, on a postcard. Paul informs him that he has received his letter of 17 November and that he is sending him the card to show him the view from the hotel at which he is staying. The card bears a postage stamp, mail service rubber stamps (Hyères) and recipient details (the word "Egypt" has been crossed out in red ink and another phrase has been written in its place in French, probably by C. P. Cavafy). The indication "31Α" in the margin, in pencil. The other side of the card depicts a view of the Boulevard Riondet in Hyères. (Hyères)

Handwritten note by Paul Cavafy to C. P. Cavafy from Italy, on a postcard. He informs him that he has returned to Como. The card bears a postage stamp, mail service rubber stamps (Como, Alexandria) and recipient details. The indication "39Α" is noted in the margin, in pencil. On the other side of the card, view of the Bellagio, in Lake Como. (Como)

Handwritten note by Paul Cavafy on a postcard to C. P. Cavafy, with notes on both sides. It is mentioned that Paul is leaving for London and Paris, having Alexandria as his final destination. Of note is the use of English words and phrases. The card bears a postage stamp; mail service rubber stamps (Buxton, Port Said – Alexandria); the address is written in French; handwritten notes in pencil. (Buxton)

Handwritten note by Paul Cavafy on a postcard to C. P. Cavafy, with notes on both sides. It is mentioned that Paul intends to depart on 13 August from Marseille and that he is delaying his departure on account of his health. Of note is the use of English words and phrases. The card is marked as prepaid and bears mail service rubber stamps (Boulogne, Alexandria); handwritten notes in pencil by Cavafy; one of them records the date of despatch, mentioning the wrong year. (Boulogne sur Mer)

Handwritten note by Paul Cavafy to C. P. Cavafy from Hyères, France, on a postcard. Paul thanks him for the letter he received on 19 January. The card bears a postage stamp as well as mail service rubber stamps (Hyères, Alexandria). The date in the margin reads "8.2.'11" and should be the date on which the card was received (it coincides with the dates on the mail rubber stamps). The indication "19Α" also in the margin. On the other side of the card, photograph of an airplane with reference to Elie Mollien. (Hyères)

Handwritten note of thanks by Paul Cavafy to C. P. Cavafy from Hyères, France, on a postcard, regarding a photograph he received. Except for the first phrase, which is written in English, Paul uses Latin characters in writing the message. The card bears a postage stamp, mail service rubber stamps (Hyères, Alexandria) and recipient details. The indication "24Α" in noted in pencil. On the other side of the card, photograph from Hyères ("Allée de Palmiers-Avenue de Beauregard"). (Hyères)

Handwritten note by Paul Cavafy to C. P. Cavafy from Hyères, France, on a postcard. The card bears a postage stamp and mail service rubber stamps (Hyères). The date "8.8.12" in pencil in the margin indicates the time the card was received, which coincides with the date on the mail rubber stamp (2/8/1912); handwritten indication "43Α". Photograph of the "Allouard" hotel at L'Almanarre, Hyères on the other side of the card. (Hyères)

Issue No 2588 of the newspaper Tilegrafos of Alexandria. Cavafy's article "The Byzantine Poets", signed "C.F.C.", in the first page.

Announcement of the death of Aristeidis Cavafy. Reference to his family.

Four handwritten prose texts in English, on both sides of two sheets, the first of which has been cut in half. Numbering on two of the pages ("1', "2"), which is neither sequential not written by the poet. Footnotes and bibliographical references. Short quote from a poem in Greek. Fragment of unidentified text in the upper part of the first page.

Handwritten letter by Totty and Mike Ralli to Cavafy in a bifolio, with notes on all sides. The letter is divided into two parts that are signed separately by each author. In the first part, information about the stay in Liverpool and the impending return to Egypt; reference to a theatrical performance ("Home" by T. W. Robertson) and commentary on persons of the social circle of Alexandria. In the second part, remarks regarding the content of a previous letter by the author as well as references to common. (Liverpool)

Handwritten letter by Timothée Glückmann to Cavafy on both sides of a sheet. The author asks for Cavafy's assistance in order to acquire his works for study. He comments that this is the second letter he sends him, and refers, among other things, to the work of A. Kampanis History of Modern Greek Literature as well as to the journal Alexandrini Techni. Accompanied by the envelope which contained the letter. (Moscow)

Handwritten letter by Stephen Schilizzi to Cavafy on all sides of a bifolio. Information about the author's return to Alexandria following his stay in Athens, Tinos and Syros. Commentary on people of their friendly and broader social circle. (Syros)

Handwritten diary-type letter by Stephen Schilizzi to Cavafy on all sides of two bifolios. The author describes the trip of his return from England to Egypt. He gives detailed information on the sights he visited while in London (Tower of London, St. Paul's Cathedral, Big Ben, The Monument to the Great Fire of London, Houses of Parliament, Westminster Abbey, National Gallery, British Museum, Madame Tussauds Exhibition, The International Fisheries Exhibition) and Paris (Musée des arts et métiers-Conservatoire national des arts et métiers, Notre Dame, Panthéon, Morgue de Paris). Commentary on people from their friendly circle as well as from the broader social circle of Alexandria. Reference to the cholera epidemic in Egypt. Cancellations and additions. The author's initials at the end of the first bifolio. The date "[...] 31st Oct 1883" in the second bifolio.

Handwritten letter by Stephen Schilizzi to Cavafy on all sides of a bifolio. It is a reply to a letter dated 25 June. Extensive commentary on the cholera epidemic that has broken out in Egypt and record of deaths due to the disease. Description of an honorary event attended by the Khedive. Reference to the matter of Cavafy's eyesight as well as to a distinction awarded to a member of his family. Cancellations; use of French and Greek words and phrases in the flow of written discourse. (Alexandria)

Handwritten letter by Stephen Schilizzi to Cavafy on all sides of a bifolio. The author comments on people from his friendly circle and the broader social circle of Alexandria as well as on events related to them. He expresses his views on the political situation in Egypt. He refers, among other things, to the publications of the works Egypt by Baron de Malortie and Arabian Nights: The Book of the Thousand Nights and One Night. He addresses a question to Cavafy regarding his return to Alexandria. Cancellations and emendations. (Alexandria)

Handwritten letter by Stephen Schilizzi and M. Ralli [Mike Th. Ralli] to Cavafy on all sides of two bifolios. The content is divided into two distinct sections, with different authors and dates. It is a reply to a letter by the poet. Commentary on people from their friendly circle as well as from the broader social and political circle of Alexandria and Egypt. Description of social events and happenings. Information about their everyday activities (classes, entertainment). Reference to the newspaper The Egyptian Gazette. Cancellations; use of Greek and French words and phrases in the flow of written discourse. The letters are accompanied by an envelope with the sender's details in French and mail rubber stamps. (Alexandria)

Handwritten letter by Paul Cavafy to his brothers, John and C. P. Cavafy, from Paris, on all sides of a bifolio. In an apologetic tone for the disturbance he has caused to his family, he refers to his stay in Paris and to city landmarks ("Île de la Cité, Notre Dame, Quartier Latin, Louvre"); he expresses fears for his health and, remembering life in Alexandria, he repeats that he intends to return in due time. He comments on the matter of the frequency in which he may disburse his pension, a fact that seems to trouble him. Of note is the use of English and French words and phrases.

Handwritten letter by Paul Cavafy to C. P. Cavafy from Hyères, France, on a small-sized sheet: one side records the content of the letter and the other the recipient's details. Reference to a positive development regarding the matter of his pension, as well as to the benefit he has requested which, according to Ralli, will be used to pay off his debts. Of note is the use of English and French words and phrases. The document bears a postage stamp and mail service rubber stamps (Hyères, Port Said – Alexandria). The address is written in French; number 10 is noted in pencil.

Handwritten letter by Paul Cavafy to C. P. Cavafy from Hyères, France, according to the printed details of the sheet and the sender's address ("Hôtel d’Europe"). On one side of a small-size sheet, the text and on the other the sender's details. Paul expresses his concern regarding the fact that he has not received a letter from C. P. Cavafy in the last two months. The document bears postage stamps and mail service rubber stamps (Hyères, Port Said – Alexandria); the address written in French and the indication "18A" in pencil. (Hyères)

Handwritten diary-type letter by Paul Cavafy to C. P. Cavafy from Hyères, France, on both sides of two sheets. The letter is written on three different days, marked separately. In the first part, Paul expresses his nostalgia for his family and, on the occasion of the news from Alexandria he reads in the Press sent by the poet, he refers to various individuals (Zervoudakis, etc.) expressing his opinion either on their overall activities or on current events. In the rest of the letter he describes the state of general De Horsey's health, gives information on his family in England and describes his way of living. Of note is the frequent use of English and French words and phrases in the flow of written discourse. (Hyères)

Handwritten diary-type letter by Paul Cavafy to C. P. Cavafy from Paris, according to the letterhead, on five sheets, two of which are bifolios. The text is completed gradually on different days and at different times of the day, all of which are noted. It is a long letter, in which Paul informs the poet of his very poor financial situation and asks him to assist him and help him with any procedures that might be necessary for him to escape the impasse he is in. The style of the text is highly charged and intense. There are several mentions of Paul's poverty and hunger as well as of people he intends to approach for assistance. Additions in the margin and page numbering ("1" through "13") in pencil. Of note is the use of English and French words and phrases.

Handwritten letter by Paul Cavafy to C. P. Cavafy from Hyères, France, according to the letterhead, on both sides of two sheets. It is a reply to a letter by the poet, dated 30 September. Arguments raised by Paul in favour of his stay in France, contrary to the suggestion of John Cavafy to return to Alexandria. Comments on World War I events, which is still in progress, and are linked to the previous subject. Reference to members of their family; Paul thanks C. P. Cavafy for intervening in a matter regarding Paul's pension. Of note is the use of English and French words and phrases in the flow of written discourse. (Hyères)

Handwritten letter by Paul Cavafy to C. P. Cavafy from Hyères, France, according to the letterhead, on two sheets, to the recto of the second. It is a reply to a letter by the poet, dated 19 November. Paul comments on World War I; mention of problems and delays regarding the remittance of his pension; interest in individuals from their family circle; detailed account of his everyday life. Of note is the frequent use of English and French words and phrases in the flow of written discourse. A small part of the text is written entirely in French. (Hyères)

Handwritten letter by Paul Cavafy to C. P. Cavafy from Hyères, France, on both sides of a sheet. It is a reply to a letter by C. P. Cavafy, dated 24 July. Paul comments on the news of individuals he probably learned through his brother and expresses nostalgia for the life of Alexandria. He refers to the matter of his return to Egypt and asks that his brother intervenes so as to confirm the remittance of his pension. Of note is the use of English and French words and phrases in the flow of written discourse. Line in blue pencil in the margin of the last paragraph. Small piece of paper with handwritten notes (possibly names) by C. P. Cavafy attached to the letter.

Handwritten letter by Paul Cavafy to C. P. Cavafy from Hyères, France, on both sides of a letterhead. In the largest part of the letter he comments on the death of Thelxiopi Cavafy and expresses his concern on the future of her daughter, Eleni. Of note is the use of English and French words and expressions in the flow of written discourse. (Hyères)

Handwritten letter by Paul Cavafy to C. P. Cavafy from Hyères, France, on both sides of a cut sheet. It is a reply to a letter by the poet, dated 20 December. Reference to Paul's journalistic activity with the The Riviera News newspaper and to the privileges stemming thereof (admittance to the casino and the theatre); comments on their common friends and family. Of note is the use of English and French words and phrases in the flow of written discourse. (Hyères)

Handwritten letter by Paul Cavafy to C. P. Cavafy from Hyères, France, on two sheets. The letter is written in parts, given that –as the author clarifies– the second part is added on the same date, but after the composition of the first was completed. Paul expresses his concern about the interruption of the correspondence between the two brothers -there are details regarding the dates of the last letters– which is restored in the second part of the letter. Paul finally receives a letter by C. P. Cavafy on the same day. Reference to individuals from their family circle, and mention of his acquaintance with a man of Greek origin in Hyères, who had served in Egypt. Extensive comments on writers and works, including: Letters by Madame de Sevigné; Agamemnon by Aeschylus; Stello by De Vigny; Crime and Punishment by Dostoevsky. Of note is the use of English and French words and phrases in the flow of written discourse.

Handwritten letter by Paul Cavafy from France to C. P. Cavafy. The text continues on the verso. Reference to the social circle of Alexandria, with commentary on particular individuals. Paul thanks his brother and wishes him for 1914. Of note is the use of English and French words and phrases in the flow of written discourse. Handwritten note in pencil in the margin, regarding the dating of the text ("Jan.. 1914?").

Handwritten letter by Paul Cavafy to C. P. Cavafy from Hyères, France, on both sides of a letterhead. It is a reply to a letter by the poet, dated 16 May. Paul comments extensively on the Khedive's visit to Alexandria, stating his dislike. Having received his diaries, he talks of his nostalgia for the past and expresses his admiration for the early works of C. P. Cavafy that he located among his personal items. He also refers to the stay of his niece, Eleni, in Austria and his desire to meet his family soon. Of note is the use of English words and phrases in the flow of written discourse. (Hyères)

Handwritten letter by Paul Cavafy to C. P. Cavafy on both sides of two sheets. Paul expresses his thanks to the poet, who sent him a photograph of their mother. In the largest part of the letter refers to his health, comments on people he has met in Alexandria and elsewhere as well as on various events. He requests to receive the newspaper The Egyptian Gazette, also mentioning La Réforme. He describes his living conditions and repeats his warm feelings for his two brothers. Of note is the use of interpolated English words and phrases.

Handwritten letter by Paul Vanderborght to Cavafy on the rectos of two sheets. Blank versos. The second page is numbered. The author refers to an imminent event in honour of the poet and asks him to participate in the committee on Rupert Brooke. The letter is accompanied by a typewritten text on one side of a sheet, regarding the erection of a monument to Brooke on Skyros. (Cairo)

Handwritten letter to Cavafy on both sides of a letterhead of the Waldorf hotel. The author informs the poet about a meeting he had with Ε. M. Forster and their discussion regarding the publication of translated poems by Cavafy. Signed: "Pericles" (most probably Anastasiadis). Accompanied by envelope. (London)

Typewritten letter by Nicolas Calas (Nico Calamaris) to Alekos Singopoulo on the recto of two sheets. Blank versos. Calas proposes Cavafy's poems be published in the United States, translated by Mavrogordatos and with an introduction by Yourcenar. He refers Singopoulo to the publishing house so as to arrange the financial matters of the publication. He asks that a photograph of Cavafy be sent and refers to common acquaintances of theirs. Accompanied by envelope. (New York)

Handwritten letter by Mike Ralli to Cavafy, on a four-page leaflet, with notes on all sides. There are references to the riots in Alexandria, which appear to have caused many inhabitants to move. There is a description of a visit to the Royal Garden, while there is also commentary on people and impressions from his contact with Greece. Cancellations and emendations. (Athens)

Handwritten letter by Mike Ralli to Cavafy in two sheets, with notes on all sides. Description of the author's habits (smoking, drinking) and relevant events. Commentary on other activities (foreign language lessons). Salutation written in Greek at the beginning of the text. French text (part of a written exercise) written inversely on the verso of the second sheet.

Handwritten letter by Mike Ralli from Alexandria to Cavafy on two bifolios, the first of which has notes on all sides and the second one until the verso of the second sheet. Description of the everyday life and the social life of the author in Alexandria and commentary on persons from his family and broader circle. Reference to the literary works of Ellen Wood The Channings, Roland Yorke and East Lynne as well as to the newspaper The Egyptian Gazette. Cancellations, emendations and underlinings. (Alexandria)

Handwritten letter by Mike Ralli to Cavafy in two bifolios, with notes on all sides. It is a reply to a letter he had received. Commentary on events and people of the broader social circle of Alexandria. Information about the author's personal matters, entertainment and free time habits as well as financial matters that trouble him. Reference to the eyesight problem he is facing as well as to his intention to publish texts in the journal Tit Bits in order to complement his income.

Handwritten letter by Mike Ralli to Cavafy in a bifolio, with notes on all sides. Information about the author's return to Egypt. (Liverpool)

Handwritten letter by Mike Ralli to Cavafy in a bifolio and in one sheet with notes on all sides. The author expresses his concern for not having received a reply from Cavafy to a previous letter of his and subsequently informs him about his stay in Alexandria and Syros, with comments and impressions from both places. He also mentions his impending return to Alexandria. Cancellations and emendations. (Syros)

Handwritten letter by Mike Ralli to Cavafy on two bifolios, with notes on all sides. Description of habits and entertainments of the time; reference to the author's improved eyesight. Commentary on people and events related to the social circle of Alexandria. Reference to the cholera pandemic -on the occasion of a trip by a member of his family- and to the author's impressions from the Greek warship "Navarchos Miaoulis". (Alexandria)

Handwritten letter by Mike Ralli to Cavafy, in two distinct parts, comprising one bifolio and one sheet with notes on all sides. Information about the author's return to Egypt. Commentary on individuals of the friendly circle of the two men. Reference to the author's personal expenses and to the eyesight problems he is facing. He expresses his opinion regarding a potential job in England. Cancellations. (Liverpool)

Handwritten letter by Mike Ralli to Cavafy in a bifolio, with notes on all sides except for the recto of the second sheet. It is a reply to letters he had received. The author expresses his opinion regarding a criticism he appears to have received from Cavafy. The second sheet is numbered. (Liverpool)

Handwritten letter by Mike Ralli to Cavafy in a bifolio, with notes on all sides. The author describes a short trip he took to an area of Wales. Reference to personal financial matters. Commentary on people from his family circle as well as from the broader friendly circle of the two men. (Liverpool)

Handwritten letter by Mike Ralli to Cavafy in three bifolios, with notes on all sides except for the verso of the last sheet. It is a reply to letters he had received. Information regarding a potential job for the author in England. Commentary on persons of the family and friendly circle of the two men. (Liverpool)

Handwritten letter by Michel C. Ralli to Cavafy on the recto of two sheets. Information about the author's return to Alexandria; he expresses his desire to meet with Cavafy and other people from their friendly circle. The printed indication "Alexandrie" on the letterhead has been crossed out. (Liverpool)

Handwritten letter by Maria (Marigo) Cavafy to Cavafy in the first three pages of a bifolio. The last page is blank. The address "St Catherine's Lodge, Hove, Sussex" at the top of the first page. Thanks for the despatch of his poems. Invitation to visit her in England. (Hove)

Handwritten letter by John [Rodocanachi] to Cavafy in a bifolio with mourning border with notes on all sides. Extensive commentary on the matter or riots in Egypt. Description of free time activities.